Flypaper Textures

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Cosmos

This comes hot off the press (or camera) so to speak.  Taken a couple of hours ago with my lensbaby while I was out walking. Winter is fast approaching here in New Zealand so I have to make the most of the lovely day we’re having and finding these in flower was an added bonus.
And now that I’ve processed and posted this I’d better get back to tidying my own jungle of a  garden!

Fairly simple processing.
Sakura Skies  @ screen 18%
Pantheon Stone @ soft light 19% masked off the focus flower.
Syrinx @ Overlay 55%
Sakura Skies @ Overlay 100%
Curves layer to tweak tone
All textures are from the Spring Painterly pack.

Please visit our Pack page or Combo Pack page to buy Flypaper Textures.

Women under Scaffolding

I’m no stalker, but when I see a great silhouette, and I’m armed with a camera, I will sometimes move just a few tiny paces to try to get a secret shot!

Our narrow medieval streets are perfect for this type of shot, though for the same reason our streets are often too shaded and thus too dark, and don’t even get me started on my pet hate, parked cars! Here I used the trusty Lensbaby once more, lens wide open, at F1; no aperture. It was around 5pm, before the sun wasn’t too low but also not directly overhead.

As we’ve been asked, Ive tried to recreate how I processed, step by step, and why I chose the textures used.

To the base image, to add more definition, I first slightly cross processed it and used a slight vignette darkening the edges. You can do this simply with free photoshop actions

To start with texturing I wanted to add more light. For my recent lensbaby shots I like to use the new Opal texture, here I used it twice, then I wanted to add a more beefy texture and darken the sky, I chose Tempest Sea, flipped vertically.
I loved the painterly/scratchy effect on the blue scaffolding covers brought by this texture, but found the overall blue a little too bright/fruity. So another favorite texture was pulled out, Newt to help tone down, which was okay but still not quite there, so I clicked it off. Finally I tried Swans Way for the first time, as I liked the look of that billowing canvas like movement this texture suggests, and Wow, happy days! It toned down the blue perfectly and pulled it all together and added a dramatic cracked grunge!

It was almost finished but decided there was now just a bit too much street clutter which the textures had highlighted.
So I clone tooled out a red road sign on the right, and a pale board on the left under the scaffolding, both clearly visible on the raw base image.

Opal – Overlay @ 74 % softly brushed from bottom edge and tot of sky
Opal – Overlay @ 100 % softly brushed from bottom edge and all of sky and right building
Tempest Sea – Overlay @ 45% Flipped vertically
Swans Way – Soft Light @ 100%

Please visit our Pack page or Combo Pack page to buy Flypaper Textures.

Girl with teddies

In England I bought a full size double hospital X-ray light box from Ebay, cost me next to nothing, but boy did I get burnt for the extra baggage on the flight home!
So, I’ve been going through the old negatives, and came across this shoot with my niece, proudly showing her party outfit in their garden.
The late spring weather was very soft and thundery and she’s looking up at me, being tall I don’t think I’m standing on anything, but that would be the best way to get this effect yourselves!

The base negative scan has been though the CS5 HDR filter to brighten and slightly smooth the 35mm film grain, Ive also hand spot removed with the spot remover tool.
I scanned at 1200 DPI in Tiff mode, saved in 300 dpi in CS5 and converted this landscape format shot to 4000pixels high, cropping square. Using textures from both the Summer and Spring painterly Flypaper sets;

Pantheon Stone Overlay @ 49%
Creme Anglaise Normal @ 100% brushed from figure
Creme Anglaise Soft Light @ 54%
Brushed Rose Overly @ 100% desaturated and brushed from figure and top left
Iorek Ice Overlay @ 43%
Followed by a final use of curves to tweak tone.

Please visit our Pack page or Combo Pack page to buy Flypaper Textures.

Grunge Hydrangea

I reprocessed this image for Mary’s article over at the Digital Photography School,  to help illustrate how using different textures on the same image can  completely change the feel of a photo, it’s one of the things textures are so useful for. The earlier version is much more soft, dreamy and subtle.
Anyway, here’s what I did…..

Catacomb Frieze @ Overlay 100% masked from the jug
Lyme Fossil @ Overlay 100% masked carefully from the focus areas as desired
It looked okay like this but to give it more of a grunge feel I added a Fly Edge
Fly Edge 13 @ Overlay 100% this layer was inverted using the invert adjustment layer and masked from the central portion so the grunge didn’t overwhelm the subject.
Catacomb Frieze and Lyme Fossil are from the Spring Painterly pack.
See it on Flickr 

Please visit our Pack page or Combo Pack page to buy Flypaper Textures.

at the watermark

Firstly, Jill and I would like to say a big Hi to the fans of the DPS site!
It was a pleasure to answer questions for Mary Andrade’s feature on –
‘Tips for Texturing Photographs’ over on the DPS site.
For all newcomers to to Flypaper, simply mouse-over the images for a fast before/after effect!

Another dawn beach shot from Eastbourne on the English Channel coast. Taken with a Lensbaby Compositor with the aperture fully open.
The great thing about retro lens effects is the way they add a soft antique look when photographing subjects from another age,
in this case the ageless wave breakers. Without the lensbaby’s softened edges this image would be quite different, almost abstract.
I could have left the image a darkly moody one, but chose instead to try and make it a little more painterly by using textures from the new flypaper spring painterly set.

Orange Blossom
– Overlay @ 54%
Umbra Eclipse – Overly @ 100% brushed away from bottom half
Opal – Soft Light @ 100% brushed away from top half
Newt – Color @ 19%

Afterwords the flattened imaged was brightened with the CS5 Adjustments – Levels.
The end result, I think you’ll agree, is like turning the light on! 🙂

Please visit our Pack page or Combo Pack page to buy Flypaper Textures.

three girls running

Firstly, Jill and I would like to say a big Hi to the fans of the DPS site!
It was a pleasure to answer questions for Mary Andrade’s feature on –
‘Tips for Texturing Photographs’ over on the DPS site.
For all newcomers to to Flypaper, simply mouse-over the images for a fast before/after effect!

Just back from England where I was lucky enough to have mostly fine weather over Easter. A couple of times I drove to the coast and stayed in a beach front hotel in Eastbourne, with its dramatic white chalk cliffs,
it made an ideal base.
Its also my first time with a Lensbaby Compositor to try-out in cooler climes with their more opalescent light are ideal for the soft retro look. However, you still need to take care in over-bright, flat light conditions. Thus, most of my pictures from this trip were taken during the golden hour in the morning or evening.

With Britain’s real high and low tides, you get these lovely wide expanses of wet reflective sand, something we don’t get in the almost tideless Mediterranean!
Armed with tall wellingtons, I paddled out, when these three girls ran past, facing the setting sun I quickly snapped a few silhouetted pictures of them, this one is the best, but perhaps sensing a camera, the final girl running did an amazing cartwheel! I hope to try and rescue this more blurry image later..

The processing was fairly simple, just two Spring Painterly textures. And btw, the Lensbaby had no apertures inside, as I like as much light as possible to reach the camera. The sweet spot being towards the top of this portrait orientated image.

The bottom of the image was fairly dark, so I lightened it to the base image shown, then added these two textures;
Opal – Overly @ 100%
Creme Anglaise – Overly @ 100%

See it larger on Flickr

Please visit our Pack page or Combo Pack page to buy Flypaper Textures.

Ode

Another photo of one of my favourite photographic subjects, I never get sick of the climbing hydrangea! The photo was taken with my wonderful new Pentax 50-135 f2.8 lens, it produces some lovely bokeh. I textured this on the laptop while I was at our country hut this past weekend  and since our hut isn’t connected to the electricity grid, it was done by the light of a gas lantern with me hoping the laptop battery wouldn’t run out before I got it finished. It was a quick one to process though, I think I used the first textures I tried which were….

Ovid Banished @ Soft Light 100%
Giverny @ Overlay 100 % (this was responsible for much of the green tone)
The  focus flower was using a curves layer masked from the rest of the image.

See it a little larger on Flickr

Please visit our Pack page or Combo Pack page to buy Flypaper Textures.

Powder Blue Hydrangea

I am enjoying playing with the new Spring Flypapers, although we trialled them extensively prior to release it’s always fun coming up with new combinations and finding out what works with a certain style of photo.  Over in our Flypaper flickr group there’s a thread where you can tell us which your favourites are from the new pack so far,  we’d love to hear from you.

In this first fairly simple recipe I used 3 Spring Textures
Peacock @Soft Light 100% masked from the jug
Paysage Linge @ hard light 43%
Apple Moss @Overlay 75 % toned blue using a hue saturation adjustment and gently  masked off jug and flowers.

See it on Flickr

Please visit our Pack page or Combo Pack page to buy Flypaper Textures.

The Art Critic

Another image taken during the recent spring high tides.
The model is standing on the shoreline with a sand pool in front.
These strange wigwam structures are built from driftwood, we have no idea who makes them or for what purpose, however any structures add photographic opportunities, and we’re all for that!

The image shown is unfinished, after deciding the shoreline was too hard, I later re- processed to soften and add some a surreal style, by pulling up the waterline and pulling down the top half as is shown on Flickr.

Opal – Hue @ 36%
Giverny – Soft Light @ 60%
Sisley – Soft Light @ 43%
Naissant Border – Overlay 59%
Moth Wing – Soft Light @ 100%
Base Image duplicated – Multiply @ 30%

Please visit our Pack page or Combo Pack page to buy Flypaper Textures.

À la recherche du temps perdu

Welcome to the first Flypaper Spring texture recipe! We’re really pleased to be able to use the freshly named textures, as before naming we used various numbers and joked that they only really come to life once they are named!
During the extraordinary high spring tides a few weeks back, I tried out my new Lensbaby Compositor in the sea mist. Normally our beaches are dry so I always try to take advantage of the reflections from sand pools whenever there are high seas.
Processing was fairly straightforward, I wanted the paler Spring Textures to add lightness and heighten the ethereal quality of this cloud covered image.

Opal – Overlay @ 100%
Mystic Hues – Overlay @ 100%
Apple Moss – Soft Light @ 50%

Later I double processed the image to beef up and define the the overall look.

Please visit our Pack page or Combo Pack page to buy Flypaper Textures.

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